Tuesday, August 23, 2022

Absolutely topless, the marquee said

Photo by Stan Rolfsrud

Honest-to-goodness bare breasts jiggling across stage? Absolutely topless? Imaginations ran wild that night as four college boys explored the Mighty Midway at the 1969 Minnesota State Fair. Worn, painted signs made it very clear that there would be bra-less, half-naked bodies inside that grimy side-show tent. Nothing at all left to imagine, the old barker boasted in a grizzly rhyth
mic chant.

For boys attending a college that didn’t even allow dancing, it was just too much to resist. Really? Topless? Bra-less? Just a dollar? We wondered how could they not be shut down by fair board management. Unbelievable. Bare booby.

We put our money down.


Directed through a canvas tunnel into a dirty, dark and depressing tent, we eagerly found folding chairs as near to the front as possible, and waited in anticipation. As the tent filled with testosterone, breathless expectations were palpable. The music began.


And there she was! The beginning of the show. Only one dancer, true, but so fine. She writhed and teased and we were caught up in her spell, but never forgetting what the real point of all this fore-play was. It wasn’t long before the performance came to a climax. Sure enough, with one quick motion, she deftly snatched off her wig and cast off her bra. Totally topless, alright. We were shocked, stunned.


Three Lutheran farm boys and the preacher’s son had just been introduced to their first-ever female impersonator. Bare-chested and crew cut now, he scampered across the stage, grinning and laughing and mocking us, then quickly disappeared, presumably for his own personal safety.


We licked our wounds and retired as gracefully as possible, victims of ourselves, of our naivete. Our hormones.


Yes, there’s one born every minute, someone said.


Sunday, August 21, 2022

Arts in the Park

Musically, it was probably the worst concert I’ve ever heard; Emotionally, it was among the best.


While exploring the Arts in the Park booths at yesterday’s annual event, with their usual offerings of handmade products, pictures, pottery and paraphernalia, I stumbled across a free concert in a packed adjacent pavilion. Two young men, amped and wired and staged for rock 'n roll, had a half hour scheduled, the little marquee said.. The duo was known only by a family name, and the crowd seemed held in rapt attention. I joined them.


Just guessing here, but it seemed to be a young man and his dear special needs brother, singing the songs we all know, heavy on the Beatles, Johnny Cash and similar, and they were belting them out with enthusiasm and courage. The audience loved it. The sounds were. . .unusual. Occasional brilliant keyboarding was contrasted with exuberant renditions of the popular tunes.


Johnny Cash may not have delivered “Ring of Fire” exactly that way, but undoubtedly he’d approve its unique interpretation. And the Beatles would have enjoyed "Hey Jude!,” starting out gently, softly, then a crescendo into a screaming Judiee! Judiee! Judiee. The one of a kind jubilant performance closed with an a cappella version of “It’s a Wonderful World.” Satchmo was never more earnest or sincere.


Program finished, the spirited audience rose as one, thrilled, teary and excited, giving a rousing, standing ovation as the duo acknowledged the robust acclamation. The pavilion brimmed with mutual love and support.


A latecomer, I really don’t know exactly what happened here yesterday, but this is what I saw.


And then I said to myself, "what a Wonderful World."